Galerie
Eigenheim

Asbachstraße 1, 99423 Weimar

Thursday – Sunday: 16:00 – 19:00

DURING THE FLOOD

Water, Waste, and Weakness

What happens when water overwhelms? When the flood rushes in — sudden, heavy, unstoppable?

Water, Waste, and Weakness captures that moment of rupture: the disorienting loss of control, the vulnerability of being submerged.

Photography, video, painting, sound, installation, and sculptural works by both regional and international artists flow together in a dense, immersive composition — where chaos and calm, noise and silence, dissolve into each other.

Here, the flood is not just a disaster. It is also a revelation, laying bare our fragility, our impact, and our entanglement with the more-than-human world.

Location for one of the FLUTEN graphic novel panels, which retell and process the story of the Thuringian deluge along the Asbach Canal.

Exhibitors

Victor López González
Locu&Ruth
Christian Niccoli
Tommy Neuwirth
Abri de Swardt
Abie Franklin und Daniel Hölzl
Enrico Freitag
Frederik Foert
Konstantin Bayer
Nina Röder
Gökçen Dilek Acay

Curator

Konstantin Bayer

FLUTEN – Opening Art Walk

19:00

Meeting Point: Galerie Eigenheim

Galerie Eigenheim

The FLUTEN opening walk begins on October 4 at 4:00 pm at E-Werk Weimar. From there, visitors are guided through the city, moving from one exhibition venue to the next. Each stop marks the opening of a new chapter of FLUTEN. The walk transforms the exhibition openings into a collective journey, weaving together art, urban space, and the shared experience of exploring flood narratives in different forms and perspectives, before concluding in the atmospheric halls of Gaswerk.

Kerstin Ergenzinger

Rhythmical Zones – Entlang Weimars verborgenen Wassersystemen

Kerstin Ergenzinger and Florencia Curci

14:00

 - 16:00

Meeting Point: Eigenheim Galerie

Galerie Eigenheim

Guided walk along a sound map with acoustic interventions between Asbach and Lottenbach, revealing hidden rhythms and their echoes within Weimar’s water systems and urban infrastructure.

Starting from the question of how rhythms emerge within urban infrastructures, water systems, and the body as a living instrument of measure and perception, the piece was developed as a collective investigation of students and teachers in the Rhythmical Zones course of the Acoustic Ecologies and Sound Studies chair. Through sound maps, graphic notations, installations, and subtle interventions, we explored how the city flows, reflects, and responds to presence. Following the walk, participants are invited to a conversation and listening session for mutual exchange.

Language: German and English

Axel Stefek

Weimar lag am Wasser – Gräben, Bäche, Teiche in der alten Stadt

Axel Stefek

14:00

 - 16:00

Meeting Point: Kreuzung Jakobstraße/Freiligrathstraße/Wagnergasse

Galerie Eigenheim

Moats, ponds, and brooks once crisscrossed Weimar. Some were artificially constructed, others of natural origin. What functions did they serve? When and why did they disappear? Where in the old town can they still be traced today? And how did they contribute to flood protection? The open brooks were indispensable lifelines for the urban organism; in some places the water even flowed beneath buildings. In addition, an independent pipeline network still exists today, separate from the drinking water supply, following the routes of the former wooden “Röhrenfahrten.” These carried spring water from the city’s outskirts to feed the fountains in the old town.

Konzertperformance Hardtekk-Musik

Tommy Neuwirth

19:00

Galerie Eigenheim

Hardtekk music is an auditory overload: too loud, too fast, too much bass, too much distortion. Yet it is dance music, serving its audience as a release. Hardtekk is raw and honest, but also blunt and simple. A soundtrack for the anger of young people—somewhere between disorientation and overwhelm in the face of a hyper-complex present.

Konzertperformance Hardtekk-Musik

Tommy Neuwirth

19:00

Galerie Eigenheim

Hardtekk music is an auditory overload: too loud, too fast, too much bass, too much distortion. Yet it is dance music, serving its audience as a release. Hardtekk is raw and honest, but also blunt and simple. A soundtrack for the anger of young people—somewhere between disorientation and overwhelm in the face of a hyper-complex present.

1

Walter Ways

Artist

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